西虹影视为您提供1971年由理查德·阿滕伯勒 朱迪·吉森 约翰·赫特 主演,理查德·弗莱彻 导演的《瑞灵顿街10号》/原名《10 Rillington Place》/又名《毁尸灭迹 / 瑞林顿谋杀案》电影在线观看,《瑞灵顿街10号》百度云网盘资源以及《瑞灵顿街10号》高清mp4迅雷下载,《瑞灵顿街10号》BT下载,希望您能喜欢!
主人翁约翰·克利斯提是一名外貌和善的秃头中年汉,谁也想不到他是冷酷无情的连续杀人犯。伊凡因谋杀妻子及尚在襁褓中的女儿而遭起诉,最后被处以极刑,但真正的凶手却是在法庭上担任头号证人的克利斯提。十年后,警方在克利斯提的住处赫然发现多具女性尸体,才揭发了他的滔天罪行。 http://movie.mtime.com/17443/
Plot Summary:London, 1949. John Christie is an unassuming, middle-aged man who, along with his wife Ethel, lives in the ground-floor flat at 10 Rillington Place. His demeanor masks the fact of being a serial killer. His modus operandi is to act as a person with a medical background, lure unsuspecting women to his apartment on the pretense of curing them of some ailment, knock them unconscious with carbon monoxide gas, gain his sexual release through contact with the unconscious body, then strangle the victim dead before disposing of the body somewhere in the house or outside area. His next intended target is Beryl Evans, a young woman who has just moved into the top flat in the house. Beryl's husband, Tim Evans, is an illiterate man who likes to put on airs. Already with an infant daughter named Geraldine, the Evanses learn they are going to have another baby, which they cannot afford to have, nor can they afford to abort the pregnancy. This problem, on top of the constant issue of lack of money in all aspects of their lives, places a strain on the marriage, of which all their neighbors are aware through the constant fighting they overhear. Christie will offer to perform the abortion for free. The difference with this intended murder is that Tim will be aware that his wife will have died, but Christie plans either to goad Tim into keeping silent since the abortion would have been illegal, an act to which Tim would have provided his consent, or pin the murder on Tim who would have motive. Will this change in modus operandi affect Christie's ability to kill Beryl, or kill her without detection?
冷静沉着事实说话的罪案片
8.5,《勾魂手》的反面,非人化的战后社会寓言。
《勾魂手》的反面,开场首先呈现凶手行凶的过程,将叙事暴露在某种人物身体魔化之下,在影片的结尾,他将以虚化的面部特写以及喘息声创造一种非道德化的威胁性的新知觉模式,正如同哈佛感官人类学实验室纪录片。和《勾》类似的是,人物的魔化同样来自于被镜像的光学属性所附身,通过zoom镜头实现了一种“吸入”效果。《瑞灵顿街10号》以一种更新的形式重绘英国战后40,50s短暂兴起的黑色犯罪电影,也标志着理查德·弗莱彻意识形态的左转,很可能受到了福柯生命政治的技术观的影响,《R10》和《绿色食品》均存在医学-规训-死亡的意指链,某种作为强度的(液体/气体)传输装置,令暗无天日的伦敦旧住宅区成为纳粹毒气室的延伸,而理查德·阿滕伯勒所呈现的变态+极度道德感的凶手则是某种对英国式保守主义的反讽,促使观看者对煽情脱敏。
MFM 321/322 Tenfold More Murder
确实狠好哇
比谋杀更可怕的是人蠢。年轻的丈夫可以说是蠢到死的典范了。
一般